Where The Wild Things Are has given me emotional indigestion. The movie trailer indicated that “Inside all of us is hope,” but the movie left me feeling the weight of the world on my heart and tear ducts, not just my shoulders. Like midnight Chinese food and the electric headache that drinking a vanilla milkshake too fast can elicit, I felt an unusual distress in every part of me after seeing the film.
“I’m sooo sad!” Was the best I could come up when Dax and I walked out of the theatre equally stunned. We tried to pinpoint what stabbed us in the heart so accurately, but we were at a loss for words (compounded by a complete loss of appetite for post-movie martinis).
The opening scene with socially awkward 9-year-old Max Records sobbing after escaping his crushed igloo (collapsed by his older sister’s jerk-friends)was like swallowing an SOS pad. I had packed an illegal movie picnic for Dax and I as we had both hurried over to the Varsity after work. The gouda with fine herbs that I loved the night before felt like a choking hazard in my clenched throat. The sesame seed sticks were like shards of glass. The Boylan’s root beer set fire to everything else.
I can still see my primary school librarian, Mrs. Kuyvenhoven, in a pilly mauve cardigan and polyester pleated pants with eyes as big as eggs, reading Where The Wild Things Are to us as we sat, fidgeting on the carpeted floor of Mt. Pleasant school library. The moody front cover of the book is more of a standout in my memory than the plot, but the movie trailer and the whimsical similarity to The Neverending Story put it on my coveted must-see-at-the-theater list.
Apparently the ‘monsters’ depicted in Maurice Sendak’s book were based on his Polish immigrant relatives who congregated in his childhood home for weekly dinners. Their choppy English and quirky mannerisms made them very monster-like to his younger self (Which I can relate to. We thought my grandmother was from Mars because she had such green and wormy varicose veins). Not so surprisingly, Sendak’s bibliography lists dozens of illustration credits as he spent his earlier years working as a children’s book artist before finding his niche in the writing world.
Director and screenwriter Spike Jonze, producer Tom Hanks and co-scriptwriter Dave Eggers (What is the What, A Heartbreaking Work of Staggering Genius) have been sculpting and breathing Where The Wild Things Are for six years. Filmed in Australia, the surreal escape into Max’s troubled headspace is a magnificent success in that it is so disturbing. Maybe it makes me think too much about all the rejected Max’s of the world. How we repeatedly fail to acknowledge those who are craving mere snippets of attention and acceptance.
The on-screen ‘monsters’ are easily recognized as lonely, broken depictions of humans. They are misunderstood and as uncomfortable as pimply teenagers. They want a king who will lead them away their sadness and simultaneously Max finds a place where he is wanted and needed. He finds solace in Carol (James Gandolfini) and discovers his voice and assertiveness as he is challenged by KW, Ira, Douglas and Alexander (the Wild Things). The monsters, despite their behemoth size, fangs, horns and affection for eating children, are as sensitive as an albino’s bare arms in the July sun.
As an outsider, Max is finally able to see and recognize his own family, and how they are no different from the Wild Things. The gloomy forest and vast sand dunes of Max’s domain are forever changed as he infiltrates the Wild Things and learns the dynamics and heartbreak that have internally collapsed his friend, Carol. The movie is like an illumination of Jann Arden’s lyrics to “Everybody’s Broken.” Whether “everybody hates Billy Wolfe ‘cause he doesn’t look the way they do” or Clara Marie who’s eighty-five years old when she’s taken from her home. “To her little white room with a cup and a spoon and the dress that she had on/Nobody came they’ve forgotten her name it’s like she disappeared.”
Everybody is broken and wants to be thought of in that irreplaceable way, and the Wild Things that Max befriends were as familiar to me as they will be to you. It’s like we keep meeting the same people over and over again in our lives. The Painfully Awkward one, the Funny one, the Quiet and Brooding one, the Overcompensating one, the Annoying one, the Hurting one. And what do we learn? Our heartbreaks are the same. Our tears, strife and struggle are all the same. Billy Wolfe, Clara Marie, Carol, Max—we know them by different names, maybe we have even been them.
But I still walked away from the movie with a boomerang in my throat. And this is the finest example of brilliance by a director. When a film can penetrate and disturb us, lingering for days, weeks and months, like a lover’s embrace—it has fulfilled its purpose. Songs often do this to us, but when there is a powerful visual, like the pained expression of Carol when he learns that the sun might be dying in the sky, it sticks and stains us.

Ten day old cub at the Lubumbashi Zoo, Congo.
Think of the image that is instantly conjured up with the YouTube link for “Christian the Lion” and his reunion with John Rendall and Ace Berg. (In 1969 they bought the lion cub from Harrod’s and the local vicar allowed Christian to exercise on the church grounds. When he became too big for their flat, it was decided that Christian should be reintroduced to Africa.) By now, you are already picturing the lion approaching Rendall and Berg with undeniable recognition on his face–and the footage of Christian bear-hugging the two men in the remarkable hello that follows. This is how Where the Wild Things Are will attach itself to you. Carol running across the dunes towards Max in the boat, whimpering and sobbing, is the Christian the lion reunion all over again.
The lion reunion hits the same susceptible nerves and leaves me with tears racing down my neck all the way to my collarbone. It alarms me a bit that the same footage can make me so blithery and marshmallow-like each and every time. What does it all mean? I guess that we want to be remembered, and needed. Even when we have to let go and leave behind the kingdoms that we have built to find our feet again when it seems like only quicksand surrounds us.
When you see the final (sob-alert) scene of the Wild Things on the beach, you will understand. And maybe you will stop to ask Billy Wolfe or Clara Marie if they’re doing okay. No one should be lonely in this world, and I think it took a few monsters to remind me of that.
Tell me what you think.
Where The Wild Things Are (trailer, soundtrack and other cool things)–http://wherethewildthingsare.warnerbros.com/
The guaranteed-to-make-you-cry lion reunion on The View– http://www.youtube.com/watch?v=oiGKWoJi5qM&feature=fvw

As I rounded the corner at Yonge and Queen today I saw the chapped hands of men on ladders, hanging garland above the windows of the Hudson Bay Company. ‘Tis the season. I even heard talk of the much-anticipated Toronto Santa Claus parade today. But can we enjoy the magic of Hallowe’en first?
Some dear mother on Mt. Pleasant Road (our coveted childhood Hallowe’en domain)always went to the effort of making dozens of candy apples for us greedy trick-or-treaters with sleeping bags as loot bags. Next to Mrs. Kellam’s buttery as a Butterball turkey Nuts & Bolt, that Candy Apple House was our highlight. (And the lowlight was definitely the dorky dentist who handed out toothbrushes and floss. Boo! Hiss!)
Perfumer Cristophe Raynaud even created a “fruity oriental gourmand” in his “Halloween Kiss” fragrance. I think he would have fared better had he made the scent evoke the Hallowe’en Kisses of our past—who wouldn’t be seduced by a dab of molasses behind someone’s ear? Raynaud’s take is a combination of orange, pear, red fruits, peach, orchid, freesia, peony, violet, teak wood, tonka bean (?)and patchouli (doesn’t patchouli always smell like a root cellar?). Seems like a lot of flowers and wood in one sniff. My Thrills & Kisses fragrance would boast notes of caramel, glucose, food colouring, icing sugar and corny syrup.
By now you must be craving something. And I bet it’s not the stupid box of SunMaid Raisins or the Eat More bar that only makes me want to Eat Less. I bet if we were six again it would be the “Hose Nose” that dispenses liquid candy slime from a nose that you strap on your face. Or how about the Ear Wax candy that you dig out with a plastic swab?
My grocery store visits are turning into museum tours. I walk down every aisle at the pace of an 80-year-old with emphysema and a cane. I linger over pickled shitake mushrooms, rabbit terrines, sour cherry spreads, basil and walnut pestos and jalapeno kettle corn. I contemplate the merit and aftertaste of dried kiwi and an Indian snack mix that looks like it would set my insides on fire. I act like I was born in Africa and am having my first North American grocery shopping experience.
She made us fantastic lunches that were like unwrapping Christmas presents. A Thermos presented so many possibilities. Sometimes Zoodles, often brown beans with a chopped wiener—but best yet? A hot dog in a Thermos! The bun would be as soggy as a diaper, and the boiled wiener resembled a bloated body found in the lake—but what a thrill. It took a few smacks on the bottom end of the Thermos to get the sucker out, but it was the envy (and stink) of the classroom.
We’ve come such a long way since squashed, Saran Wrapped mock baloney sandwiches and chocolate pudding in pull-tab cans (and didn’t it suck when the tab broke off and you had a plastic spoon and no way to get into the pudding inside without lacerating yourself?). Now kids get Lunchables with pizza, crackers, cheese and chocolate bars. It’s like a marijuana munchies snack pack.
When I volunteered in Africa for four months last year, I quickly adapted to not earning a paycheque. When a litre of beer and a goat leg cost less than a dollar, I thought I was playing the greatest game of Monopoly–with all my tiny red plastic houses on Park Place. What was silently transpiring was my mind becoming engaged and stimulated by the experience, and dollars no longer made sense.
I run the risk of entertaining and pampering myself to death, which is probably not a bad thing. I love wedges of cheese that are skinnier than a doorstop and over 10 dollars a bite. I like champagne for no reason and Paco Rabanne. But I’ve raked a lot of gravel and pinecones in my life, I deserve it.
When I started Mitch Albom’s The Five People You Meet in Heaven, I had already convinced myself that the book was going to be as flaky as baklava. I was certain that it would be a tacky spin-off of Michael Landon’s Highway to Heaven with the sap content of Touched by an Angel.
“Thirty-five is the pivotal year of change,” Merryde informed me as we clinked glasses full of Australian merlot. The night sky was a romantic chandelier of stars—and that particular evening, Venus, Jupiter and the crescent moon aligned in a very apocalyptic way. They were eerily parallel in the November sky. I had just turned 34, and was more preoccupied with the awareness (that still caught me off-guard) of: “Oh my god, I’m in Africa.” I was as far away from 35 as I was from Canada and maple syrup at that moment.
I remember copying out a passage from one of Douglas Coupland’s books (Shampoo Planet?) in my early 20s about the beauty of hotel rooms. How everyone who stays in a hotel becomes a blank page, waiting to be rewritten. You are allowed to reinvent yourself, over and over again. I loved that—it was strangely reassuring to me then.
Africa has become an integral part of me. I want to see the chimps from the J.A.C.K. sanctuary released into the wild. I want to see Micah, bigger and bolder, finding her place among the group. I want to see the fiery Lubumbashi sunsets that I stared into this past July, and see how far I’ve travelled spiritually since then.
Just as Jupiter, Venus and the moon realigned, I feel myself doing the same.





My patience has been stretched to a spandex consistency as of late, but I’ve developed Teflon no-stick skin. My resilience stems from three months of living in a sopping wet jungle in Costa Rica, four months in Uganda eating shit and goats and another month in the dark and dust of the Congo. I can live anywhere, under less than desirable conditions– as long as I have my New Balance running shoes, occassional access to the Internet and gin.